Here are some USD Assets and Scenes for free to use for any purpose. Its setup with lights and shaders for Arnold renderer in GafferHQ. I will update the dropbox folder in future with other render engines setups like CyclesX , Karma, Omniverse or Unreal5.
https://www.dropbox.com/sh/8ha3xh4t120qku4/AADDipysw9Hp9xLdvGrObKj8a?dl=0
in this examples it used the gaffer instancer and Arnold fog volume shader which quite fast on the GPU.
Models and Textures are selfmade and HDR is used from iHDRI.com
recently i did some water rendering in Arnold renderer, which you can see here. the shading worked quite well on the ocean water and whitewater.
after this started to sim a wave Tunnel in Houdini Flips. a huge wave where you actually could surf. But i run into some trouble for water shading and whitewater look, i needed some reference.
I went to beach and took trusty NikonV1 camera with me to shoot some reference Photos. This are tiny Waves (50cm in height), but easy to take some pictures and good enough as shading reference.
the nice shot of miniature breaking wave
a nice snapshot of translucent effects of the wave, where we can see droplets (whitewater) in close up
here we can see more Droplets / Whitewater with sun in out back. a good example for anisotropy effect on shading.
droplets turn white with sunlight, depending on the sun direction.
There multiple Ways to render realistic Water. The old school way is to render a polygon water surface and volume underneath to simulate the light scattering. we did similar things back in 2008 on the Avatar Movie with custom written shaders for Renderman. Sidefx added presets for Houdini for its Ocean setup’s. The render time of this method are modest but the shading can quite difficult depending on camera angle and light situation.
these Days in the age of Path tracers, there 2 ways, rendering it with Sub-Surface Scattering (SSS) or Transmission Depth.
Sub-Surface Scattering simulates the effect of light entering an object and scattering beneath its surface. Not all light reflects from a surface. Some of it will penetrate below the surface of an illuminated object. There it will be absorbed by the material and scattered internally. Some of this scattered light will make its way back out of the surface and become visible to the camera. This is known as ‘sub-surface scattering’ or ‘SSS’. SSS is necessary for the realistic rendering of materials such as marble, skin, leaves, wax, and milk. The SSS component in this shader is calculated using a brute-force raytracing method.
While the Transmission Depth attribute controls volumetric light absorption within the object (fog), the Scatter attribute controls what percentage of the light will be scattered instead of absorbed, effectively creating the murky effect of semi-transparent materials.
Depth Controls the depth into the volume at which the transmission color is realized. Increasing this value makes the volume thinner, which means less absorption and scattering. It is a scale factor so that you can set a transmission color and then tweak the depth to be appropriate for the size of your object.
Scattering is very import if wanna shader deep Materials like Ocean water. For the scattering effect to work Scatter must have a dominant percentage value, and the Depth attribute must generally be much lower. also the Opaque attribute must be unchecked in the Arnold attributes of the object’s shape node for the light to be able to pass into the mesh and illuminate the volume.
Rendering with refraction Depth is more “physical correct” way, but it does account tiny organism (light blockers) in this case you add textures to simulate plankton in the water.
I choose go with SSS route. The tycial Surface Scattering shading model has a similar volume light scatter look. the look can be limited but it works in case deep Ocean water. the advantage: it full support with current Arnold GPU renderer (Depth transmission is not supported yet) and SSS shading model is also faster to render. In addition, I’ ve added an extra underwater bubble simulation with particles to increase the realism.
in one of the next post i will show work in progress with new massive simulation i did.
i am starting to look into water effecst shading, this 1st simualtion with Houdini solvers. the foam is a little over-the-top. but i think the shading itself start to come together. with the new Arnold GPU updates its getting really fast., specifically when i am using Arnold Operators.
i've created underwater bubbles in extra simulation to make the side view nicer.
all this above was done in Houdini and regular Anrold htoA plug in.
here i am testing the scene in Gaffer, the IPR is quite fast in here. the next thing i wanna try to use Solaris.
first try of Taron’s Vervette sandbox. the painter lets you interactive relight the paint medium. which is pretty cool and you able cool effects with it.
